A week earlier, he had resigned from his job as editor of the Hürriyet Daily News, the English-language arm of Hürriyet, considered one of Turkey’s largest and most important dailies. “At least we skilled what it meant to be a journalist,” Yetkin mentioned. “I feel sorry for these young people who couldn’t and cannot.” Hürriyet was one of many many Turkish newspapers just lately bought and summarily dismantled by probably the most distinguished family in Turkish media, the Demirörens. Television is still probably the most influential medium reaching 18 million households.
Until the late 80s, Turkish media consisted of a handful of publishing corporations with newspapers and magazines and the general public broadcaster TRT for tv and radio. When in the 80s the country went through an financial transformation adopting free-market economics, in a sharp departure from the protectionist paradigm of the previous many years, the press had to bear a dramatic change as nicely. All the most important newspapers were sold to rising businessmen with no earlier curiosity in journalism. They merely wanted to have the backing of media of their dealings with the government when it was privatizing incumbent state monopolies.
Journalists held prime ministers to account and picked fights with politicians they detested. A main paper like Hürriyet or Milliyet could make or break a candidate, and the proliferation of newspapers created a competitive ambiance. But that moniker misrepresents how a lot Erdoğan, an Islamic conservative, has transformed Turkey’s media since seizing power, and how much he has remade Turkey as an entire. The Murdochs, especially within the age of Donald Trump, are kingmakers; Erdoğan would by no means allow anyone else to have that much influence.
IRCICA Farabi Digital Library is a project aiming at facilitating and supporting libraries make their digital collections out there to worldwide scholars. To achieve this, IRCICA developed a stand alone software program allowing libraries to simply display their digital supplies Gazeteler, and hosts the digital library. The Online Bibliography of Ottoman-Turkish Literature, a free and in depth database of references to theses, books, articles, papers and initiatives relating to research into Ottoman-Turkish culture.
One of those — journalist and Reporters Without Borders representative Erol Onderoglu– was again in court on September 30 for a trial related to his function in a 2016 solidarity marketing campaign with Kurdish newspaper Ozgur Gundem. Demirören known as Sazak and forbade him from attending the protests, whether or not as a journalist or a citizen. Demirören known as him and said, angrily, “You lied to me.” Soon after, Erdoğan’s spokespeople and advisers started complaining that Sazak by no means consulted them. The Demirörens started asking not solely why Milliyet editors used certain headlines but also why they didn’t select others. Erdoğan’s advisers began requesting to see articles ahead of publication.
FILE – Erol Onderoglu, a journalist and Reporters Without Borders Turkey representative, talks exterior a court in Istanbul, Turkey, July sixteen, 2020. Media watchdogs including RSF and the New York-based Committee to Protect Journalists have documented hundreds of arrests or lawsuits filed in opposition to the media in the past five years. Erdoğan Demirören owned 25 % of Milliyet, considered one of his many investments. In 1979, nonetheless, Aydın Doğan, then a young businessman, bought the paper in its entirety, adding it to his holding company.